Tuesday, March 5, 2013

TRAILER: 'Iron Man 3' Final Trailer


Yahoo! Movies has the first look at the epic second trailer to Iron Man 3. Robert Downey Jr. reunites with his Kiss Kiss Bang Bang director Shane Black for what looks to be a dark redefining adventure for the billionaire Avenger Tony Stark.

No spoilers here in revealing that in the film Stark has his house blown to bits and will recruit a legion of Iron Man armored backup in his battle against Ben Kingley's Mandarin, including a suit that has been dubbed The Hulkbuster. Apparently since the events of The Avengers, Stark has seen fit to be prepared to take on the Hulk if push came to shove with the gamma ray green goliath.

And for what its worth, if the final shot of the trailer isn't killer, I don't know what is.



Official synopsis:
Marvel Studios’ Iron Man 3 pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy’s hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test his mettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man?

Iron Man 3 is set for theaters in 3D, RealD 3D and IMAX 3D on May 3rd and stars Robert Downey Jr. (Tony Stark), Gwyneth Paltrow (Pepper Potts), Don Cheadle (Col. James Rhodes), Jon Favreau (Happy Hogan), Paul Bettany (Jarvis), Sir Ben Kingsley (The Mandarin), Guy Pearce (Aldrich Killian), Rebecca Hall (Maya Hansen) and James Badge Dale (Eric Salvin).

Source: Yahoo! Movies



Monday, March 4, 2013

'Justice League' Now On Track With Christopher Nolan In Charge? Will We See Christian Bale Team Up With Henry Cavill?


In a move that makes absolutely perfect sense so it should be of no surprise IF proven true, Warner Bros. has reportedly put into motion a bulletproof plan for its troubled big screen version of Justice League that will team the collective forces behind The Dark Knight trilogy and the upcoming Man of Steel.

After a lengthy investigation, El Mayimbe over at Latino Review broke the big news last night, which was also backed up by Batman-On-Film, that Warners has finally and wisely handed the reigns of its big screen DC Universe over to Dark Knight mastermind Christopher Nolan. Nolan not only steered his Batman trilogy to critical acclaim and billions at the box office, he also oversaw production of the upcoming reboot of Superman, Man of Steel, starring Henry Cavill and directed by Zack Snyder.

If you allow yourself to believe the positive online buzz from a recent pre-screening, WB is apparently over the roof at what they have on their hands with Man of Steel. With their multiple stalled attempts over the years at bringing Justice League to the big screen, and with both Batman star Christian Bale and Chris Nolan having retired from that franchise after The Dark Knight Rises, Warner Bros. is left with only Man of Steel (and possibly 2011's failed Green Lantern) as anchor points for DC's answer to Marvel's The Avengers. Recent reports also point to the studio's disappointment and subsequent scrapping of the latest Justice League script penned by Gangster Squad's Will Beall.

According to Latino Review, Bale is now being courted to don the cape and cowl again, despite the closure seen in The Dark Knight Rises and his reluctance to participate in the proposed team-up film unless Nolan can convince him otherwise. WB's previous plan was to introduce the next big screen Caped Crusader in 2015's Justice League and then use that as a springboard to the next series of Batman films. With Nolan on board, its probably the only chance of seeing Bale return to the role.

Man of Steel director Zack Synder is reportedly also to be on board to produce Justice League and most probably first in line to direct (if Nolan doesn't want to helm it). Unconfirmed to return to this mix is screenwriter David Goyer, who is an integral part of the team as a key writer of the Dark Knight Trilogy and Man of Steel.

Few have doubted Henry Cavill's Superman as the only sure bet anchor for Justice League from the get go. A major unknown factor that remains regarding Man of Steel is to what extent would it be utilized in setting up the larger big screen DC Universe as Marvel has done by crossing over their big screen heroes in post-credits cameos. With Bale (until now) seemingly out of the loop, a quick generic Batman reference could have been made, or there was the big gamble of passing the cowl to Joseph Gordon-Levitt for a post-credits cameo. While incorporating Levitt would have allowed the Dark Knight continuity to remain intact for Justice League, it would have heavily watered down the Batman character.

For all intents and purposes securing Nolan's team seems like the best case scenario WB could bank on for Justice League. It appears they are finally done with half assing anything to do with what it takes to make this a guaranteed box office blockbuster. With Cavill and Bale starring, they would have two familiar faces in addition to incorporating The Dark Knight mythos. Ryan Reynolds reprising his role as Green Lantern is still a major x-factor, though it would be silly to think WB does not have him signed to a firm multi-picture deal that would include Justice League. Then figuring out what to do with Wonder Woman and possibly The Flash are whole other issues altogether.

WB is facing a whole new world of tentpole competition. The Disney/Marvel team have had rampant success with their characters, which was cemented by The Avengers' over $1 billion in worldwide ticket sales in 2012. That remains an open wound to Warners on a sheer business sense as they rapidly lose ground on the superhero battle field. WB also finds itself Harry Potter-less while Disney/Lucasfilm has an unlimited well to tap in addition to Star Wars on deck.

Green Lantern's failure at the box office was a huge blow to WB (you could technically go back to 2006's Superman Returns as the first big set-back), and losing Bale and Nolan left the studio with no choice but to plan a Batman reboot down the line. And frankly any way you look at it, what a thankless task it will be to follow in the footsteps of The Dark Knight trilogy.

Disney has their Joss Whedon / Kevin Feige camp, and added J.J. Abrams to spearhead the next wave of Star Wars films. Even 20th Century Fox has brought writer Mark Millar aboard to properly oversee and intergrade their big screen Marvel properties like X-Men and Fantastic Four. WB still needs a guiding force for these potential tentpoles in the long run, and there are no better ones to retain the services of than their current in-house creative powerhouse team of Nolan and Snyder. The biggest franchises on the big screen are now run behind-the-scenes by A-List filmmakers and the future of the DC heroes is nothing to take lightly or shortchange with a changing of the guard.

It's a waiting game now to see what, if any, of this gets confirmed by the studio. Christopher Nolan is a busy and ambitious filmmaker, and it would be a huge years-long commitment for him to continue on with another superhero franchise like this. Most likely we will have to wait until June 14th when Man of Steel is unleashed and prove to be a box office phenomenon before ANY of this rampant speculation is addressed by Warner Brothers. Plus it's not in Christopher Nolan's nature to reveal anything before its time. But if Man of Steel soars and (fingers crossed) this plan proves true, there would be no bigger or better way to approach Justice League than to have Cavill and Bale headline with Nolan, Snyder and Goyer behind the scenes.

Expect a lot more on this story, confirmations, denials and all...


SOURCE: Latino Review



Sunday, March 3, 2013

'Saturday Night Live' Spoofs 'The Walking Dead'


Saturday Night Live took aim at The Walking Dead last night. The parody of the powerhouse AMC series was one of the few highlights of a very weak show hosted by comedian Kevin Hart. The skit was short enough to keep the humor tight and funny, and Nasim Pedrad's take on 12-year old Carl Grimes was a real winner.



SOURCE: NBC.com



TRAILER: 'Game of Thrones' Extended Season Three Trailer


An extended cut of the Season Three trailer for Game of Thrones has been released, showcasing a much better look at what we can expect when the series returns to HBO on March 31st.



SOURCE: Game of Thrones YouTube Channel



Friday, March 1, 2013

Film Review: JACK THE GIANT SLAYER ★★☆☆☆

The very expensive FX-heavy high adventure Jack The Giant Slayer, courtesy of X-Men's original big screen mastermind Bryan Singer, is unlikely to swap places with your fond childhood memories of the familiar fee-fi-foe-fum fairy tale it takes an obvious lead from.

The basics are all still there: Jack, giants, magic beans and an upwards path to the sky via a mystical beanstalk.
While Jack the Giant Slayer will not wow you overall with originality, it does pack enough pop, punch and spectacle to keep your attention.

Following an unexpected opportunity to rescue the fiesty and incognito Princess Isabelle from a group of drunk hooligans in a tavern, common farmhand Jack (Nicholas Hoult) soon finds himself on an epic quest to save her again alongside all the King's men by climbing up the beanstalk and beyond the clouds to the land of giants.

There is both a backstory of an ages old struggle between humans and evil giants who enjoyed feeding on their smaller counterparts, and the villain arc of the treacherous traitor (Stanley Tucci) who has a dastardly plan up his sleeve to conquer both lands, but "Jack goes up the beanstalk to save the Princess " (Elanor Tomlinson), seems adequate enough for bullet points.

The film cruises at a brisk pace with its straightforward plot and inspired cast, and can be loud with plenty of PG-13 violence, but it never takes itself too seriously or gets heavy handed in the proceedings. Even clocking in at nearly two hours, it unfortunately often comes off like a condensed Syfy version of The Hobbit (and we have two more entries of that waiting in the wings).

While Hoult adds the necessary everyman conection to this fairy tale David & Goliath, I found the true heart and charm of the film belonged to Ewan McGregor as Elmont the knight, who leads Jack on the rescue mission on behalf of the King (Ian McShane). Hoult's Jack is unfortunately literally and figuratively constantly trying to climb upwards, whether its to prove his mettle, win the hand of the Princess, or defeat an army of angry human hungry giants. There isn't much depth to Jack beyond him living up to the title of the film. McGregor, who has been keeping to things as far removed from Star Wars-esque fare as he can, slips into this swashbuckling role of a non-Jedi knight with flawless ease and charm.

In the solid cast assembled, Stanley Tucci as Roderick, the turncoat who also has an arranged marriage to fair Princess Isabelle, finds a great balance as a PG-13 villain whose adept in R-rated murder (in a film ripe with well timed cut aways to avoid gore).

Tucci twists his proverbial bad guy mustache enough to be despised in a way that would make even Prince Humperdinck proud. Ian McShane never fails to bring presence to any role he takes on, but as King Brahmwell is given very little to do beyond delivering weight to a character who spends most of the film in a regal golden suit of armor.

The elaborate special effects and action sequences are hit and miss, ranging from awesome to cringe worthy. Detail in select close-ups of the all-CGI giants can look astounding, while numerous other digital reliant action shots look no better than poorly layered sequences from an outdated video game.

Sometimes the mash up of practical and digital sets works, sometimes it doesn't, with the latter primarily showcased in most of the trailers and ads on the web and TV. This surreal digital world seems to be the thing now with fantasy films, hitting high gear after Tim Burton's Alice In Wonderland grossed over a $1 billion worldwide.

The giants, man eating monsters banished above the clouds ages ago are at times a frightening threat given their disheartening appetite and imposing size. Sadly though, the instrument of their eventual defeat is clearly revealed far too early in the film which offers little surprise when it counts.

The overall epic grand scale and ambition of the action and set pieces make it an ideal candidate for its IMAX presentation, but the 3D projection as always brings with it an overall darker appearance and casts on it a muddy haze. Singer thankfully keeps his 3D to surprisingly unobtrusive levels. It seems the format, now blatantly beyond overkill mode from every Hollywood studio on the map, is now being utilized more to rightfully add layers to a film rather than delivering speeding objects directly into the audience's lap.

Jack The Giant Slayer is an overall mixed bag that gets too caught up in its digital overkill and straightforward action adventure plot. Despite its good intentions and humor, it unfortunately also squarely fits into the book club of previous uninspired CGI fairy tale extravaganzas like Alice In WonderlandMirror Mirror and Hansel & Gretel: Witch Hunters. But fret not fantasy fans, more is on the way with Oz The Great And Poweful hitting theaters next Friday.


Jack The Giant Slayer opens in 3D, RealD 3D and IMAX 3D on March 1st.

REVIEW RATING: ★★☆☆☆
Directed By: Bryan Singer
Starring: Nicholas Hoult, Ewan McGregor, Eleanor Tomlinson, Stanley Tucci, Ian McShane, Bill Nighy
Studio: Warner Bros.
Rated: PG-13
Running Time: 114 minutes