Showing posts with label Jonah Hill. Show all posts
Showing posts with label Jonah Hill. Show all posts

Tuesday, June 11, 2013

Film Review - THIS IS THE END ★★★☆☆

This Is The End as a title is by no means merely a clever metaphor for the ride the film takes you on. To say the world is going to hell in a handbasket is an understatement, and if you must ring in the apocalypse, why not ride out all the fire and brimstone with you best buddies at James Franco's house? This Is The End really takes you Kingdom Come, and you'll laugh your ass off the whole way there.

Co-written and co-directed by Seth Rogen and Evan Goldberg, the hilarious high concept film finds the fun and seamless ensemble cast of Rogen, James Franco, Jay Baruchel, Craig Robinson, Danny McBride and Jonah Hill playing "themselves" as they fight to survive at the End of Days as only successful pompous paid Hollywood actors possibly would.

There are a few ground rules for optimal enjoyment. You should to be a fan of all the leads and the large cameo heavy supporting cast. A generous knowledge of their collective IMDB pages is a huge plus to truly appreciate how each actor connects professionally. To possess an edgy sense of humor is also a must. The film earns its R rating for language content alone. Which lets these guys roar wild with loose lips on their situations and each other.

As we begin our faux reality story, Jay Baruchel is in LA visiting his buddy Seth Rogen, and is later convinced to partake in potential night of fun instead of laying low. During a wild Hollywood party at James Franco's lavish house, literally all Hell breaks loose on a Biblical level. But not before we are treated to cameos from countless familiar faces from other projects the main cast have shared the big and small screen with throughout the Apatow-verse. Though it should be noted, following her memorable cameo here, Emma Watson would make a welcome future addition to the troupe in my book.


With rampant earthquakes, explosions and fiery abysses leading to Hell popping up everywhere, the surviving funny men are trapped in Franco's house left with scant food and water rations, and possess collective skills that would not get them beyond a day on Survivor, much less the fall of man. With nobody left but each other, it's a battle of wits and each other to tough it out.

The first half hour alone boasts a machine gun pace of gags, offensive jokes, rants and one of a kind priceless moments i.e., what happens when a coked up Michael Cera slaps Rihanna squarely on the ass. The first act party scene is worth the price of admission alone. There are attempts to top it, but This Is The End wisely keeps you guessing by switching gears, turning into a survivalist test of backstabbing within the house. The third act throws the already insane narrative completely on its ass all over again. Much like the genre bending Joss Whedon-penned The Cabin In The Woods, there comes a point you are asked, ahem forced, to throw out all rhyme and reason and just go along with the fact that they are actually taking you whole hog on this trip.


What this film has really going for it is the job from the ensemble cast. You never once doubt that the onscreen team on the screen are a bunch of real life Hollywood chums who are just having a blast with each other shooting this passion project. The quick wit meaty improved exchanges never come off as forced dialogue memorized off a page. The amount and extent of self deprecating humor is refreshing and has hilarious results. No career is safe, everyone's dirty laundry is laid out there. Although everyone is playing an exaggerated version of themselves, Danny McBride really gets to dig gloriously deep into his inner asshole and have a field day tearing into a his co-stars form their career lows, personal lives and their worst rumors from the sewers of TMZ. Frankly some of the quips in the film roll of their tongues so easily its almost as if they've been waiting to get an outlet to vent on each other for years. But McBride is a damn Jedi master at it.


The more in the Hollywood know you are the better. Sure there are the broad stroke Harry Potter jokes at the expense of Emma Watson, but if subtle jabs at Flyboys, Your Highness and Pineapple Express may not be on your pop culture radar, you may wanna consider what you're in for in addition top the brutally raw dialogue

Its brilliance is its boldness and perceived on-screen honesty. It will find immortality on weekend cable reruns, if they could ever clean it up enough for TBS (which will be a challenge for basic cable censors) and has many quotable moments. You can tune in at any point and just enjoy the insane ride from there. The cameos are fun and plentiful (the headcount is damned impressive), and you wish there was more time given to each minor player. And again, a untapped goldmine in not getting more scenes for Emma Watson.


This Is The End is a uniquely raunchy Armageddon-themed B-movie laugh riot filled with unexpected left turns, right down to the closing moments. You won't find a wilder big screen comedy this year. It will keep you constantly guessing and laughing with glee at the same time. If you are not a fan of the cast already, you will be and appreciate them more for having the balls to put forth this fearless farce. But perhaps the biggest joke at the end of the day is as much fun an experience This Is The End is for us, it still was more fun for them. And when its a good time for all, ironically in this instance, everybody ends up winning at the end of the world as we know it (and all feel fine).


This Is The End opens in theaters on June 12th.

REVIEW RATING: ★★☆
Director: Seth Rogen and Evan Goldberg
Starring: Seth Rogen, Jay Baruchel, James Franco, Craig Robinson, Jonah Hill, Danny McBride
Screenwriters: Seth Rogen and Evan Goldberg
Studio: Sony Pictures
Rated: R
Running Time: 107 minutes

Sunday, July 29, 2012

WEEKEND BOX OFFICE: 'Dark Knight' Rises Above 'The Watch' And 'Step Up'


The Dark Knight Rises dominated the box office in its third weekend of release, taking in $46 million in ticket sales, and soaring past the two major new releases, 20th Century Fox's The Watch and Summit's Step Up Revolution.

It was a tougher weekend to get people out to the movies when compared to the same period last summer. According to Deadline, domestic ticket sales were down nearly 22% factoring in the Olympic Opening Ceremonies on Friday night with the remaining repercussions from the Aurora, Colorado tragedy.

As of this weekend, Warner Bros.' The Dark Knight Rises has earned $289 million in domestic ticket sales in its first ten days of release. 2008's The Dark Knight had earned over $313 million in its first ten days. 

When combined with the $248.2 million overseas, TDKR's worldwide take is now over $537 million. It's also worth noting it has $38 million from IMAX screens, a nice haul coming from the extra prestige of nearly 72 minutes of the film shot in the format.

Ted holds on strong, with $7.4M this weekend. With a total of $193.7 million, the big 200 is well within reach for Seth MacFarlane's R-rated talking teddy bear comedy.

The Amazing Spider-Man, the other big screen superhero in the top ten, earned $7 million this weekend, and nearly $655 million worldwide since its July 3rd release.

1. THE DARK KNIGHT RISES - Weekend Gross: $46M, Total: $289M
2. THE WATCH - Weekend Gross: $13.3M
3. ICE AGE 4  - Weekend Gross: $13.2M, Total: $114.8M
4. STEP UP REVOLUTION - Weekend Gross: $11.8M
5. TED - Weekend Gross: $7.4M, Total: $193.7M
6. THE AMAZING SPIDER-MAN - Weekend Gross: $7.0M, Total: $242.2M
7. BRAVE - Weekend Gross: $3.7M, Total: $216.7M
8. MAGIC MIKE - Weekend Gross $2.2M, Total: $107.2M
9. SAVAGES - Weekend Gross $1.5M, Total: $43.6M
10. MADEA'S WITNESS PROTECTION - Weekend Gross $1.2M, Total: $62.6M

SOURCES: Deadline, Box Office Mojo